The Diary of a Nobody, by George Grossmith, Weedon Grossmith
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The Diary of a Nobody, by George Grossmith, Weedon Grossmith
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Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see—because I do not happen to be a ‘Somebody’—why my diary should not be interesting. My only regret is that I did not commence it when I was a youth.
The Diary of a Nobody, by George Grossmith, Weedon Grossmith- Published on: 2015-05-20
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .15" w x 6.00" l, .22 pounds
- Binding: Paperback
- 66 pages
Review "There's a universality about Pooter that touches everybody...fits into the tradition of absurd humour that the British do well, which started with Jonathan Swift and runs through Lewis Carroll and Edward Lear to Monty Python" -- Jasper Fforde Time Out "The funniest book in the world" -- Evelyn Waugh "Pooter himself is as gentle as you could wish, a wonderful character, genuinely lovable. The book is beautifully constructed" -- Andrew Davies Glasgow Herald "One of those rare books that nails a cultural archetype and has won the affection of successive generations" The Times "The funniest book about a certain type of Englishness...there is a whole line of these comic characters like Captain Mainwaring in Dad's Army, or Basil Fawlty" -- Hugh Bonneville The Times
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About the Author George Grossmith (9 December 1847 – 1 March 1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines. Walter Weedon Grossmith (9 June 1854 – 14 June 1919), better known as Weedon Grossmith, was an English writer, painter, actor and playwright best known as co-author of The Diary of a Nobody (1892) with his famous brother, music hall comedian and Gilbert and Sullivan star, George Grossmith. Weedon Grossmith also illustrated The Diary of a Nobody to much acclaim.
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Most helpful customer reviews
56 of 58 people found the following review helpful. Not for everybody but VERY much for some people... By A Customer If you respond at all to this gentle, loving, intricately detailed, and acute (but never hostile)evocation of late-Victorian London, the chances are good that it will become one of your favorite books. The humor is rather special, and I've found that some Americans simply can't "get into" Grossmith. As for me, I reread the book every year and the very thought of it can make me smile.
55 of 58 people found the following review helpful. An Evergreen Comic Masterpiece. By Donal A. O'Neill This book must be the most nearly perfect piece of comic writing in English, its humour gentle and subtle, its depiction of character, class, time and location flawless. It fixes forever the late-Victorian world of the respectable Lower Middle Class, populated by clerks, petty merchants and tradesmen, observing it with both objectivity and affection. It is splendidly read on tape by Frederick Davidson, whose assumed accent is perfectly gauged to reflect the upwardly-mobile aspirations of the Mr.Charles Pooter, the self-confessed nobody of the title, and which slips down the social scale by several notches in moments of stress and frustration. Though superficially simple, the construction of the narrative is complex in the extreme, with comic situations often being built up over a long period, and with clues carefully planted in earlier sections, only to come to fruition later. It is particularly impressive how the main characters - Pooter himself, his long-suffering and often silly but supportive wife Carrie and his exasperating son Lupin - emerge as rounded characters from apparently simple diary entries and achieve a realism and familiarity as great as any in more serious literature. The situations in which they find themselves - or rather get themselves - are not only ludicrously amusing, but also close to the normality of life as many live it, and one can often, uncomfortably, recognise one's self or one's friends in their reactions to them. What makes the Diary an enduring masterpiece is however the gentle and affectionate treatment of human weakness - and greatness. Pooter may be pompous, foolish and sometimes sycophantic, but he is also loyal, decent and honourable and his life, and his family's, for all its pettiness, also has its dignity. I first read the Diary over forty years ago and it has never ceased to delight me since - it remains a treasured bedside book to be opened at random - and this splendid tape of it is an ideal companion for long or short automobile journeys. (An interesting footnote is that George Grossmith, as a singer and actor, created many of the best known Gilbert and Sullivan roles on stage).
25 of 26 people found the following review helpful. Thoroughly Entertaining By David L Rattigan The 'Nobody' of the title is one Charles Pooter, an ordinary middle-class Londoner in the late 19th century who reasons that if Pepys and Johnson can write diaries to entertain people, why should his diary be any less exciting? And so we are amused by such characters as Pooter's unpredictable son Lupin, his good friends Cumming and Gowing, and not least Pooter himself, whose most fascinating and hilarious trait is his tendency to write people off as lacking in humour when they fail to laugh at his occasional pun, whilst exhibiting a distinct lack of humour himself when it comes to some of the more trivial aspects of life.Pooter's descriptions of the mundane, as well as the occasionally unusual, happenings of daily life are told in extraordinary detail, which brings a real vividness to some of the amusing predicaments our friend finds himself in. And he really is our friend by the end of the book. There is a certain air of pathos about this man that proves quite endearing. His Victorian prudery and sensibility provokes much laughter (reading this on the train to London, I had to put it down a couple of times to avoid drawing attention to myself), yet also provokes a certain affection for a character who is as tragic as he is admirable. That is, despite some of his more pathetic idionsyncracies, the warmth and genuineness of his character shine through.
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