A Life of Misery and Triumph, by Eugene Slaven
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A Life of Misery and Triumph, by Eugene Slaven
Ebook PDF A Life of Misery and Triumph, by Eugene Slaven
Enter the quixotic world of novice vodka entrepreneurs, who despite their comic ineptitude win industry acclaim thanks to a highly unusual and provocative branding strategy. Following a bizarre apprenticeship in the art of writing with a reclusive and deranged disciple of a clandestine writing cult, Marcus Rein writes brilliant and irreverent stories on labels of Misery vodka, expressing disdain for life and promoting redemption through drinking Misery. But when it turns out that a TV anchor Marcus falls in love with has a dark secret, he unexpectedly finds himself in the crosshairs of the vengeful writing cult. Along the way, Marcus harnesses his writing prowess into an absurd spiritual awakening and becomes engulfed in alcohol induced messianic zeal.
A Life of Misery and Triumph, by Eugene Slaven- Amazon Sales Rank: #2971902 in Books
- Published on: 2015-05-11
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .53" w x 6.00" l,
- Binding: Paperback
- 234 pages
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Most helpful customer reviews
2 of 2 people found the following review helpful. A lot of fun to read By Matthew Riggio The book is a lot of fun to read and found myself laughing at loud in some parts, especially in the first and third acts. The characters, comedy, and the way the plot unfolds remind me of the comedy found in some Coen Brothers movies such as Raising Arizona and Big Lebowski. It definitely has absurd humor and it's a lot of fun! The author also sticks with that tone; he does not attempt to dump surprises in readers' laps by suddenly trying to be too serious (or vice versa)...he creates his world and sticks with it, which makes the third act rewarding and funny!
1 of 2 people found the following review helpful. A complex, unsettling, provocative gaze into the heart of mankind. By M. Robson So, you're thinking about buying this book. This is the time where you need to question yourself on what could possibly be happening in your life to where you are are considering tendering hard-saved money and sacrificing your immensely valuable, and surely irretrievable, time on a self-published farce of a novel?Whatever strange circumstance could have brought you to this sparsely trodden tributary of the narratives of the ages, take comfort in knowing you are not alone, and that your hope for the salvation of entertainment is not in vain.The voice of the book is written in a cross between a complete imbecile buffoon, and a status-conscious, neurotic, opportunist.The complexities of how to interpret this book are actually endless, and that is part of the game you are invited to play with the author.Buying this book is like hanging out with your older, smarter, ironically arrogant brother that you never had, and seldom wanted.This book, once properly understood, has the capacity to characterize at least an entire era in humanity's degradation from civilization and high culture to decadence and camp. Its incessant focus centers on social status, lack of hygiene, the dog-eat-dog, hypocritical, law of the jungle kind of world we live in. The participants break down into those who accede to the Machiavellian reality of the hypocritical religio-corporate complex, and those who decide to adopt a loftier, albeit false, perspective on meaning and guidance for their lives - known by advertisers as a "Brand Identity".Misery is about the paradox of our time, particularly that of brand identity. We espouse intellectual notions of idealism, and make a pretense to class and style, yet, there is always beneath lurking the base, animal part of us...as well as the far more fearsome part of us, the transparently opportunistic, and, willfully conformist, routinized cog in the religio-corporate mega complex.The book deals with very heavy issues. Prejudice towards Gypsies is extended towards an absurd hyperbolic degree that the reader can only come away with a feeling that he has not dedicated enough time personally to advancing the cause of the Roma people.The beginning of the book is the best, where you are exposed to the pure blank slate of lexiconal humor in it's raw state. Eugene is a master of using words and phrases that are simply funny, especially when juxtaposed. A common ploy is to juxtapose a high-minded plea of grandiosity with a brutally honest (yet obvious), unnecessary, banal, and repetitive, crude remark. The voice itself also leads to writing that you aren't used to reading. Using a combination of complex structures, old-fashioned words and phrases, as well as the occasional addressing of the reader, for reasons of like, you know, humorous effect...Eugene will guide you through your daily commute with aplomb.The reader will think of how fun it would be to write his own satirical novel using world-play to the level of a respectable rap battle. If this was a comic strip, it would be the Lockhorns. Completely bereft of any genuine positive sentiment. Pure social commentary in it's highest form about the compromises we make with ourselves, our ideology, in our shameless pursuit of Triumph. Misery is about what happens when we create something that gets out of our control.Any reader will be interested to know what Eugene might have been holding back in this debut. The fact that I didn't see the connections of Misery's protagonist and Ayn Rand's life and works until just this instant is actually pretty embarrassing, but, the connection is crystal clear. I didn't figure this out because I am an expert on Rand, but, because I remembered that Eug is a huge fan of that, and I have a basic outline of her movement. Ironically, the work, so understood, is properly one of the most bullet-proof, hermetically sealed arguments to categorically refute Randianism in all its forms.How such an anti-Randian work could have been created by an avowed disciple of Ms. Rand herself is beyond my comprehension. It may be that the author has many conflicting views that are being worked out in this piece. He also could be simply double-dealing, playing both sides of the coin, living a double life as a serious writer and thinker, and secretly pursuing his shadow persona's desire to refute the intellectual manifolds he has been operating within. Under this interpretation, this book represents a departure of Eugene Slaven, the idealistic thinker, and, the introduction of a newer, more complex, intuitive, post-rational interpretation or processing of issues. Eugene's repeated nods to nihilism won't go unnoticed by the serious reader, and, they will be hilarious to the casual reader.When understood with the access to his other writings on political theory and society, this book, although humorous, becomes anything but a joke. His rabidly critical stance toward modernity, and the atomization of the individual, to the point where they seek salvation through intoxication will please many fellow misanthropes.Understood as a sociological treatise, this book is decidedly pessimistic towards humanity's institutions and authentic culture. There is no debating that point.Yet, when understood as a motivational how-to book on how to achieve success in life beyond your wildest dreams, then, it's probably invaluable to the right audience. It really all comes down to how you feel about the religio-corporate mega complex.Ultimately, this work is about authority, and the authenticity that comes with it. Whether it's about having the right lineage of apprenticeship, or, codifying one's own tenets to coherently assimilate followers, this book comes down to playing power politics. The plot spindles out of control as the fabric woven by the haphazard interplay of the fate-bound characters. Somehow the book manages to explore timeless constants of human nature, alongside the recurring homage to a current debate. For instance, the role of aggression and rage, especially as an instrument to wisdom and creativity cannot be dismissed as mere humor. Our author is too erudite a scholar to waste the very sap of wisdom on something merely funny. I feel that this is essentially a masculinist archetype, known in the past as chivalrous, chauvinist or even 'toxic-masculinity'. It should be clear to the reader that this is the idea that we have a vestige of primal urges and prerogatives that have nothing to do with civilized man. The primal, and, also the tribal aspects of humanities development find rich exploration in this work functions an obvious allegory for the history of mankind, going though stages of primal, hunter, tribal, civilization, and degradation and dissolution. The constant pugnacity of all characters along with the emphasis on organizational behavior can't help but re-iterate the healthy message of manning up and starting your own ideological movement. In the world of Misery,capitalism's combination of efficiency and waste result in a situation where ironic Brand appeal becomes a dominant market mechanism. This book is like having an actual coach in building your own intentional movement, intentional community, or cult brand.The work also includes short stories written by the main character as part of the plot. What a great imaginative device to showcase ridiculous anecdotes and expose the reader into the creative process of the writer. The reader will undoubtedly question how the creative process needed to intensify for the short stories - needing to be that much more dense in their presentation. It is also interesting how the ability to create the short stories can only come from a period of isolation, which, was kind of downplayed towards the end of the book, and was never really a big selling point of Misery to the disciples outside of the inner circle. So, it's pretty messed up that you have to go into isolation to join the inner circle, but, that's just basically how it is.One eerily convincing passage reads:"Marcus is a dark soul. To write that kind of prose, one has to be removed from society. Were he to appear and immerse himself in human interaction, the talent for that type of writing would be instantly vitiated."With this emphasis on the creative powers of isolation, Slaven is truly speaking to a forsaken generation and it's only hope for salvation through stoically-induced, controlled folly.The true theme of this book is about cultural appropriation. For instance, the whole craft beer, and craft spirit phenomenon as a way people to carefully craft an authentic extension of themselves through brand identification. Maybe the beer labels and bazooka joe comics are all about the youth culture. The Madison Ave. culture of now. It's a cosmic quest for the perfect cocktail story, the perfect ice-breaker, that hints at what it might be like to individuate using brand loyalty to craft beers to express the part of our identity that wasn't possible without an ironically-labelled intoxicant.
1 of 1 people found the following review helpful. Do yourself a favor and buy this book By Beldar A Life of Misery and Triumph is truly a work of demented comedic genius. In addition to being genuinely funny, it is also sprinkled throughout with subtle social commentary and philosophical musings. Highly recommended for fans of The Ginger Man and/or Fear and Loathing in Las Vegas. Reading this book changed my life, as I'm sure it will change yours. If Slaven starts a cult I will be its first initiate. Do yourself a favor and buy this book. You won't regret it.
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