The Breadwinner, by Deborah Ellis
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The Breadwinner, by Deborah Ellis
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The first book in Deborah Ellis’s riveting Breadwinner series is an award-winning novel about loyalty, survival, families, and friendship under extraordinary circumstances during the Taliban’s rule in Afghanistan. Eleven-year-old Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan’s capital city. Parvana’s father — a history teacher until his school was bombed and his health destroyed — works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for the crime of having a foreign education, and the family is left without someone who can earn money or even shop for food. As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner. The 15th anniversary edition includes a special foreword by Deborah Ellis as well as a new map, an updated author’s note, and a glossary to provide young readers with background and context. All royalties from the sale of this book will go to Canadian Women for Women in Afghanistan. Parvana’s Fund supports education projects for Afghan women and children.
The Breadwinner, by Deborah Ellis - Amazon Sales Rank: #7610 in Books
- Brand: Ellis, Deborah
- Published on: 2015-05-12
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .40" w x 5.20" l, .35 pounds
- Binding: Paperback
- 176 pages
The Breadwinner, by Deborah Ellis Amazon.com Review Since the Taliban took over Afghanistan, 11-year-old Parvana has rarely been outdoors. Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps.
In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward
From Publishers Weekly Ellis (Looking for X) bases her contemporary novel on refugee stories about the oppressive rule of Afghanistan by the Taliban. Eleven-year-old Parvana must masquerade as a boy to gain access to the outside world and support her dwindling family. Parvana's brother was killed years earlier by a land mine explosion and, for much of the story, her father is imprisoned, leaving only her mother, older sister and two very young siblings. The Taliban laws require women to sheathe themselves fully and ban girls from attending school or going out unescorted; thus, Parvana's disguise provides her a measure of freedom and the means to support her family by providing a reading service for illiterates. There are some sympathetic moments, as when Parvana sees the effect on her mother when she wears her dead brother's clothes and realizes, while reading a letter for a recently widowed Taliban soldier, that even the enemy can have feelings. However, the story's tensions sometimes seem forced (e.g., Parvana's own fear of stepping on land mines). In addition, the narrative voice often feels removed "After the Soviets left, the people who had been shooting at the Soviets decided they wanted to keep shooting at something, so they shot at each other" taking on a tone more akin to a disquisition than compelling fiction. However, the topical issues introduced, coupled with this strong heroine, will make this novel of interest to many conscientious teens. Ages 10-12. (Apr.) Women for Women in Afghanistan, dedicated to the education of Afghan girls in refugee camps in Pakistan.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal Grade 5-8-Actress Rita Wolf reads Deborah Ellis' heartfelt but uneven look at an Afghanistan girl's life under the Taliban with dignity and crystal clear diction (Groundwood, 2001). However, her talents can't smooth over the book's clunkier moments. Based on a true story (Ellis interviewed girls and women while volunteering at an Afghan refugee camp), the novel tells of a brave 11-year-old girl named Parvana who remembers life before the Taliban took over Kabul. Now her reclusive family lives in fear. After Taliban soldiers imprison her father, Parvana disguises herself as a boy and becomes the family's breadwinner, encountering friendship and horrors on the streets. Wolf does a fine job with the younger characters, but chooses to read the older ones with a distracting accent that makes them sound interchangeable. She reads Ellis' purposeful prose with grace. The strength of the book is that listeners will relate to Parvana and imagine what life would be like under a repressive regime. But even a talented narrator like Wolf can't compensate for such clunky moments as when Parvana fails to recognize Mrs. Weera on the street. The veiled woman says, "Oh, that's right, my face is covered. I keep forgetting." Dialogue like this keeps the book from being totally successful. Deborah Ellis reads the afterword, which provides a cursory summary of Afghanistan's recent history. There are some factual errors (e.g., the Soviet Union invaded Afghanistan in 1979, not 1980). Also, the book never mentions Islam. Despite these flaws, The Breadwinner features a brave heroine in troubled times and offers a sense of hope. For libraries with a need for an audiobook on the topic or for larger collections.Brian E. Wilson, Evanston Public Library, ILCopyright 2003 Reed Business Information, Inc.
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31 of 31 people found the following review helpful. Snapshot of life under Taliban regime. By Sharon M. Miller Life for women under the Taliban regime in Afghanistan is not the stuff of which happy children's books are made. There is no happy ending here, regardless of the obstacles which are overcome, because the real-life ending has not yet come.This book, while fiction, is the result of interviews with women who escaped from Kabul and who were living in camps in Pakistan, including one mother who disguised her daughter as a boy. The setting is true to time and place as it captures life for one family in one short period of time. (Ellis is donating the book sales to an organization dedicated to educating girls in refugee camps.)It is a simple story, and engaging, as the reader follows the daily life of a fictional family as they struggle to survive the imprisonment of the father. His absence from the home means that they no longer have food, or communication outside the home because the female members of the family cannot go out unescorted by a male. Parvana, who is pre-adolescent, surrenders her long hair to help her family, and disguised as a boy earns a little money by selling things from their home or reading for the largely illiterate population. Thus she is able to shop for food. Her bravery is the focal point of the story and the reader is reminded of the courage and strength of children everywhere who survive against incredible odds.Ellis has done well to write this as a story for children/young adults. While she doe not gloss over the hard parts of life in Kabul under the Taliban with executions, dismemberment, and imprisonment without a trial or a public charge neither does she dwell on them at length. Being without food or a father is hard enough for one story; living in fear adds more trauma. Everyday hardships such as the closing of school, the absence of music, and the difficulties of communication add to the realities of the story. But Ellis allows Parvana to see a Taliban soldier as human when she reads a letter for the illiterate man and watches his eyes fill with tears. To see the enemy as human is a triumph of the human spirit and gives this book its hope.
16 of 16 people found the following review helpful. Nobody Wins By Binch "Stay away from Afghan women or we'll kill you." Underneath was a crude drawing of a knife with blood dripping from it. This note was delivered in spring last year to Deborah Ellis who was in Peshawar, researching her book The Breadwinner. This is the story of Parvana, an eleven year old girl, who, in order to save herself and herfamily, cuts her hair short and wears the clothes of her older brother, Hossain, killed by a land mine. Back in Toronto, Ellis paired up girls' schools in Ontario with girls' schools in the camps in Peshawar and Quetta. Funds were sent for building classrooms and establishing scholarships. In the spring and fall of 1998, Ellis visited Moscow. By this time she had begun researching the role of women in the Soviet invasion of Afghanistan. She wanted to find out how this war, which lasted for 10 years, impacted on women from the time it started in 1979 until the present. Her book, Women of the Afghan War,published by Praeger, makes a connection between the women on both sides: the attacker and the attacked.But the most searing indictment of conditions in Afghanistan is her most recent book, The Breadwinner. Written for children and published by Groundwood Books, The Breadwinner evolved from Ellis's conversations with refugee Afghan women and girls. There is a connection between The Breadwinner and Ellis's first book Looking for X, set in Toronto and winner of the Governor General's Award, 2000. In both books strong girl characters work out how to survive in a difficult world. Ellis met the mother and sister of a girl in Kabul who cut off her hair, put on boy's clothes and sold things off a tray in the marketplace to support her family. "They told me a lot of girls were doing this," Ellis said. "Their fathers and brothers were killed or imprisoned, and they have to go out and earn money to support their families ." What she heard reminded Ellis of children's enormous capacity for acts of courage when they cannot rely on the adult world. "Out of the horror of war and oppression that has been Afghanistan for the last two decades rise the voices for girls who insist on saying, 'We're still alive. We're still human. Hear us.'" Parvana has lived for the past year and a half in one small room in Kabul with her father, mother, two sisters and baby brother. To cross this room on the third floor of a bombed out apartment building, Parvana takes ten steps one way and twelve steps the other way. The windows, in conformity with the decrees of the Taliban, are painted black - except for one window, small and high up, through which the sun's rays filter for a short period. Every day the women and children huddle together in this beam of light before it disappears. Formerly this family, highly educated, of old respected Afghan stock, lived comfortably in a big house with a courtyard. They had a car and a couple of servants. The bombs destroyed their home and they had moved several times since then, losing more of their belongings with each subsequent bombing. Ellis's achievement is that she has integrated within a suspenseful story the brutal conditions in Afghanistan. Every detail in her account of Parvana's family - to whom she does not give a last name, for even a fictional name can lead to terrible repercussions - is taken from first hand sources, and clandestine film footage smuggled out of Afghanistan. The privations of this particular family are true for millions of others, especially those who live in Kabul. But, for the women and girls, who are under what amounts to house arrest, it is harder. Household chores like getting water, cooking, and caring for younger children develop into strategies for keeping alive, for keeping up one's morale. It takes five pails of water to fill the metal drum, the family's water tank, housed in a miniscule alcove which also does duty as kitchen and lavatory. The hardship is not that there is no running water but that the women cannot fetch water from a communal tap outside. Restricted by their burquas, Parvana's mother and older sister, 17 year old Nooria, cannot negotiate the broken stairs, let alone lug a pail of water up them. The stairs were on the outside of the building, zigzagging back and forth on their way up. They had been damaged by the bomb, and didn't quite meet in places. Only some parts of the staircase had a railing... The streets, filled with potholes, are also hazardous. Women, covered from head to foot with mesh across their faces, often fall down and hurt themselves. Besides, going without a man is always dangerous. And for those who have lost limbs it's even worse: There were a lot of false legs for sale in the market now. Since the Taliban decreed that women must stay inside, many husbands took their wives' false legs away. "You're not going anywhere, so why do you need a leg?" they asked. Parvana's father, who is himself an amputee - he had lost the lower part of his leg during a bomb explosion - is hauled off to prison by the Taliban because he had spent time studying in England, and come back with "foreign" ideas. Reading matter, unrelated to the Qur'an, is subversive, and the Taliban, mostly illiterate, burn books they don't like. At first Parvana continues doing what her father, a history teacher, did: reading and writing letters in the market of Kabul for those who cannot read or write themselves - the majority of the population. Her university educated mother, who has been kicked out from her job as a writer at one of the radio stations, gives her things left over from the bombings to peddle at the market: dishes, bed linen, clothes. But the family is still short of money for rent, food and fuel. While Parvana is trying to figure out how to earn more, she meets a former school mate, Shawzia, who is working as a tea boy in the market. Shawzia tells her if they have trays of their own, they can follow the crowd instead of waiting for the crowd to come to them. That way they'll make more money. The two girls go bone-digging. They join the hordes of other children scrabbling in the churned-up earth
19 of 22 people found the following review helpful. Not as realistic as you would think By A Customer While Parvana is an engaging character at times, this book and it's sequel lack the rich description which is needed to help children from more developed countries understand the geography, cultural practices, social stratification, and other intiricacies in Afghanistan under the Taliban and beyond. In the book, the Taliban arose out of no where -- and the impression is given to the reader that this is so -- whereas their development is much more difficult to explain in truth.Most disturbing is the scene where Parvana and some other children are digging up bones in a graveyard & selling them. There is absolutely no hint as to what becomes of the bones once they are sold. It is also a surprising scene because anyone who knows Afghan (& Muslim) culture knows how closely the dead (& graveyards) are revered in the region. Whenever one walks/drives past a graveyard, there is a prayer which is said to bless the self and the dead -- excusing yourself from distrubing the dead. So how is it possible that they were really digging up and selling human bones under the Taliban? Given that the Talibs were Muslim fundamentalists, it is highly unlikely they would have tolerated the disturbance of the dead in this fashion. There are often rumours surrounding the myths of poor and working children's lives in the developing world & I wonder whether the picking and selling of human bones isn't one of them?While it is important to engage youth from developed countries in the issues of war and conflict, I am not convinced that this book does so in a meaningful way. It would be useful, for example, if there were a third book which presented the lives of pro-Taliban children/youth in the rural areas from where this movement arose. Finally, the lives of Afghan children who never knew the pre-war privileges afforded to Parvana's educated family are not shown substantially in the book and yet they represent the vast majority of Afghan children.
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